Commercials & Brand Films
Cinematic spots for brands and startups that would normally cost ten times as much.
I'm Nir Brainin — filmmaker and creative director, graduate of Bezalel Academy of Arts and Design. My father handed me a camera at fifteen and I never really put it down.
Three years ago generative video arrived. Most people saw a toy. I saw a camera that could shoot anything — a desert station, a street in Genova, a world that doesn't exist yet.
What I bring isn't prompting. It's twenty years of knowing where to put the camera — the framing, the cut, the pacing. Now nothing is out of reach.
Every project is fully produced and edited, brief to final cut. One contact. No agency timeline.
One person, the whole pipeline — concept, script, generation, edit, sound, colour, delivery. No production company, no agency timeline, no handoffs.
Cinematic spots for brands and startups that would normally cost ten times as much.
Original stories, festival pieces, proof-of-concept films. From one line to final cut.
Whole visual worlds built around a track — anything you can hear, I can show.
Reels, teasers and campaign cutdowns, delivered in every ratio you need.
Spaces and objects that don't exist yet, shot like they already do.
You hand me footage — AI, filmed, or both. I hand you a finished film.
Click a chapter.
Three years in the Central District as a computer operator. Systems, shifts, and a deadline that genuinely does not move. It taught me to stay calm when a plan falls apart at 3am — every production since has felt manageable by comparison.
Eight years inside a fast-moving fintech company producing live event coverage, corporate films and scripted marketing pieces. This is where I learned how brands actually think — what a marketing team needs, how a funnel works, and why a beautiful film that misses the brief is still a failed film.
Four years learning to actually see — composition, light, and the difference between a picture that's correct and one that's alive. I pushed toward video and film inside the photography programme, showed in group and solo exhibitions, and graduated with a surrealist experimental documentary on hallucination: real stories, performed by friends.
Generative video arrived and I went all in. Three years of daily practice across every major model, on top of twenty years of shooting and cutting. Commercials, brand films, music videos and shorts — and finally a camera that can shoot anything I can picture.
Brand, startup, artist or agency — if it's visual, I can build it. Tell me what you're imagining and I'll tell you exactly how we get there.
Got it. I'll be in touch within 24 hours.
Sun — Thu