One person, the whole pipeline — concept, script, generation, edit, sound, colour, delivery. No production company, no agency timeline, no handoffs.
Cinematic spots for brands and startups that would normally cost ten times as much.
Original stories, festival pieces, proof-of-concept films. From one line to final cut.
Whole visual worlds built around a track — anything you can hear, I can show.
Reels, teasers and campaign cutdowns, delivered in every ratio you need.
Spaces and objects that don't exist yet, shot like they already do.
You hand me footage — AI, filmed, or both. I hand you a finished film.
Nir Brainin is a filmmaker and creative director based in Israel, working worldwide. He is a graduate of Bezalel Academy of Arts and Design in Photography, spent eight years producing in-house video at the fintech company Nuvei, and now directs commercials, brand films, music videos and short films using AI-assisted production.
Commercials and brand films for companies and startups, music videos, short-form social content, real estate and product films, narrative short films, and editing or post-production on existing footage.
The tools generate shots; they do not make films. Nir brings twenty years of shooting and cutting — framing, pacing, sound and story — and handles the whole pipeline from concept to final cut, so you receive a finished film rather than a folder of clips.
Most commercials and brand films are delivered in days rather than the weeks a traditional production requires, because there is no crew, location or scheduling overhead. Exact timing depends on length and complexity.
Pricing depends on the format, length and scope of the project. Send a short brief through the contact form with your budget range and deadline, and you will get a specific quote back.
Yes. The entire process runs remotely — brief, concept, production, revisions and delivery — so location is not a constraint. He works in English, Hebrew and Spanish.
Got something in mind?
What I bring isn't prompting. It's twenty years of knowing where to put the camera — the framing, the cut, the pacing.
I'm Nir Brainin — filmmaker and creative director, graduate of Bezalel Academy of Arts and Design. My father handed me a camera at fifteen and I never really put it down.
Three years ago generative video arrived. Most people saw a toy. I saw a camera that could shoot anything — a desert station, a street in Genova, a world that doesn't exist yet.
Now nothing is out of reach.
Every project is fully produced and edited, brief to final cut. One contact. No agency timeline.
Click a chapter.
Three years in the Central District as a computer operator. Systems, shifts, and a deadline that genuinely does not move. It taught me to stay calm when a plan falls apart at 3am — every production since has felt manageable by comparison.
Eight years inside a fast-moving fintech company producing live event coverage, corporate films and scripted marketing pieces. This is where I learned how brands actually think — what a marketing team needs, how a funnel works, and why a beautiful film that misses the brief is still a failed film.
Four years learning to actually see — composition, light, and the difference between a picture that's correct and one that's alive. I pushed toward video and film inside the photography programme, showed in group and solo exhibitions, and graduated with a surrealist experimental documentary on hallucination: real stories, performed by friends.
Generative video arrived and I went all in. Three years of daily practice across every major model, on top of twenty years of shooting and cutting. Commercials, brand films, music videos and shorts — and finally a camera that can shoot anything I can picture.
Brand, startup, artist or agency — if it's visual, I can build it. Tell me what you're imagining and I'll tell you exactly how we get there.
Got it. I'll be in touch within 24 hours.
Sun — Thu